Course Content
GS1
All topics given below
0/1
1. Indian culture will cover the salient aspects of Art Forms, Literature and Architecture from ancient to modern times.
0/67
2. Modern Indian history from about the middle of the eighteenth century until the present- significant events, personalities, issues.
0/66
5. History of the world will include events from the 18th century such as Industrial revolution, World wars, Redrawal of national boundaries, Colonization, Decolonization, Political philosophies like Communism, Capitalism, Socialism etc.- their forms and effect on the society.
0/58
7. Role of women and women’s organizations, Population and associated issues, Poverty and developmental issues, Urbanization, their problems and their remedies.
0/41
10.2. Introduction to Maps
0/1
GS2
All Updates topics given below
6. Structure, organization and functioning of the Executive and the Judiciary; Ministries and Departments of the Government; pressure groups and formal/informal associations and their role in the Polity.
0/1
10. Government Policies and Interventions for Development in Various Sectors and Issues arising out of their Design and Implementation.
0/2
12. Welfare schemes for Vulnerable Sections of the Population by the Centre and States and the Performance of these schemes; Mechanisms, Laws, Institutions and Bodies constituted for the Protection and Betterment of these Vulnerable Sections.
0/1
13. Issues relating to Development and Management of Social Sector/Services relating to Health, Education, Human Resources.
0/3
14. Issues relating to Poverty and Hunger.
0/1
16. Role of Civil Services in a Democracy
0/1
GS3
2. Inclusive growth and issues arising from it.
0/2
4. Major crops – cropping patterns in various parts of the country, different types of irrigation and irrigation systems – storage, transport and marketing of agricultural produce and issues and related constraints; e-technology in the aid of farmers.
0/2
5. Issues related to direct and indirect farm subsidies and minimum support prices; Public Distribution System- objectives, functioning, limitations, revamping; issues of buffer stocks and food security; Technology missions; economics of animal-rearing.
0/3
6. Food processing and related industries in India- scope and significance, location, upstream and downstream requirements, supply chain management.
0/3
11. Science and Technology- developments and their applications and effects in everyday life.
0/1
12. Achievements of Indians in Science & Technology; indigenization of technology and developing new technology.
0/1
13. Awareness in the fields of IT, Space, Computers, robotics, nano-technology, bio-technology and issues relating to intellectual property rights.
0/2
16. Linkages between development and spread of extremism.
0/1
19. Security challenges and their management in border areas; -linkages of organized crime with terrorism.
0/1
GS3: ENVIRONMENT
UPSC Full Course [English]
About Lesson
ii. Martial Arts Major Forms in India

Martial arts are practised in India and involve not only fighting skills but also physical health, mental stability, and spiritual welfare. Indian martial arts are extremely varied, with distinct forms and styles found in every part of the nation that frequently reflect local customs and culture.

Types

Description

Kalaripayattu

  • Kalaripayattu, one of India’s oldest martial arts, originated in Kerala around the 3rd century BC. 
  • It is practised in most parts of Southern India and includes mock duels, physical exercises, and a style of fighting that is primarily focused on footwork, kicks, strikes, and weapon-based practice. 
  • It forms the basis of all martial art forms, including Karate and kung fu.
  • The art is still rooted in traditional rituals and ceremonies and includes techniques such as Uzhichil, fighting with Otta, Maipayattu, Puliyankam, Verumkai, and Angathari. 
  • Even women practice this art, and it is still rooted in traditional rituals and ceremonies.

Silambam

  • Silambam, a modern and scientific martial art in Tamil Nadu, was promoted by Pandyas, Cholas, and Cheras during their reign. 
  • The silambam bamboo was a popular trading item with traders and visitors from Rome, Greece, and Egypt, and was mentioned in the 2nd AD Tamil literature, Silappadikaram.
  • The long staff is used for mock fighting and self-defence. 
  • Techniques include swift foot movements, hand-waving, thrust, cut, chop, and sweep to achieve mastery and development of force, momentum, and precision. 
  • Players must be trained to diffuse uncontrollable mobs using strokes like snake, monkey, and hawk hits, as well as deflect stones thrown by them.

Thang-ta and Sarit Sarak

  • Thang-ta,an armed martial art created by the Meitei people of Manipur, is considered one of the most lethal combat forms. 
  • Sarit Sarak, an unarmed art form, uses hand-to-hand combat. 
  • Their history dates back to the 17th century when they were used by Manipuri kings against the British. 
  • Despite being banned by the British after their capture, they came back to the limelight post-independence. 
  • The two primary components of Thang-ta are a sword and a spear. (Thang-“sword,” and Ta – “spear.”)
  • The combined name of the two parts, Thang-ta and Sarit Sarak, is Huyen Langlon.

Gatka

  • Gatka is a weapon-based martial art form performed by Sikhs in Punjab, showcasing skillful use of weapons like sticks, Kirpan, Talwar, and Kataar. 
  • The art form’s attack and defence are determined by hand and foot positions and weapon nature. 
  • Gatka is displayed at various celebrations, including fairs, and signifies freedom and grace.

Cheibi Gad-ga 

  • It is an ancient martial art from Manipur, involving fighting using a sword and shield.
  • It has been modified to a soft leather stick instead. The contest takes place in a 7-meter circle with two lines 2 meters apart. 
  • The Cheibi stick is 2 to 2.5 feet long, and the shield is 1 meter in diameter. Victory is determined by points earned during a duel based on skills and brute force.

Pari-khanda

  • It is a martial art from Bihar, created by Rajputs, involving sword and shield fighting. It is still practiced in Bihar and is widely used in Chhau dance. 
  • The name combines the words ‘Pari’ meaning shield and ‘khanda’ meaning sword, indicating the use of both weapons in the art.

Thoda

  • Originating from Himachal Pradesh, is a blend of martial arts, sports, and culture. 
  • It takes place during the Baisakhi festival in April and involves community prayers to invoke the blessings of Goddesses Mashoo and Durga. 
  • The martial art relies on archery skills and dates back to the epic battles in Mahabharata. 
  • The game involves two groups of around 500 people each, mostly dancers, and is played in a marked court to ensure discipline. 
  • The teams are called Pashis and Saathis, believed to be descendants of Pandavas and Kauravas of Mahabharata. 
  • The archers aim for the leg below the knee, as there are negative points for striking other parts of the body.

Kuttu Varisai (Empty-Hand Silambam)

  • Kuttu Varisai, first mentioned in Sangam literature, translates to ’empty hand combat’ and is primarily practised in Tamil Nadu.
  • This is an unarmed Dravidian martial art that enhances athleticism and footwork through starching, yoga, gymnastics, and breathing exercises. 
  • Major techniques include grappling, striking, and locking, and it uses animal-based sets like snake, eagle, tiger, elephant, and monkey.

Musti Yuddha

  • It is an unarmed martial art form originating in Varanasi and is a popular art form that incorporates physical, mental, and spiritual aspects. 
  • It uses techniques like kicks, punches, knee, and elbow strikes. 

Malla Khamb

  • It is a gymnastic and martial arts form, combining acrobatics, strength training, and combat techniques. 
  • It is practiced in Madhya Pradesh.
  • Practitioners perform intricate postures using a stationary vertical pole.
    • The pole, often made of Sheesham (Indian rosewood), serves as a central training implement.

Malla Yuddha

  • This traditional combat wrestling is the oldest known codified form of fighting in the Indian Subcontinent. 
  • It is related to other Southeast Asian wrestling styles including Naban.
  • Famous practitioners included Gautama Buddha, Krishna Deva Raya, etc.
  • The art is divided into four categories, named after Hindu Gods who excelled in it. 
    • Jambuvanti: involves forcing opponents into submission through locking and holding. 
    • Hanumanti: focuses on technical superiority. 
    • Bhimaseni: focuses on shear strength. 
    • Jarasandhi: focuses on limb and joint breaking.
  • Vajra-Mushti: It shares its training methodology with malla-yuddha and uses a knuckle duster-like weapon for striking and defence.

Inbuan Wrestling

  • It is a Mizoram martial art dating back to 1750 AD and is characterised by strict rules prohibiting stepping out of the circle, kicking, and knee bending. 
  • The goal is to lift the opponent off their feet while adhering to these rules, and the wrestlers must catch their waist belt.

Lathi

  • It is an ancient armed martial art form in India and is a weapon used by Indian police to control crowds.
  • It refers to a stick, typically cane sticks, 6-8 feet long, sometimes metal-tipped. 
  • Despite being one of the world’s oldest martial arts, Lathi remains a popular sport in villages in Punjab and Bengal.

Mardani Khel 

  • It is a traditional Maharashtrian martial art practised in Kolhapur, focusing on weaponry skills, swift movements, and low stances. 
  • It is known for its use of the unique Indian Patta (sword) and Vita (corded lance), with famous practitioners including Shivaji.

Sqay 

  • It is a traditional martial art from Kashmir that utilises wooden weapons and involves fluid, graceful movements.

 

Do not copy. Your ID will be blocked.

[Protected under the Copyright Act. May lead to infringement penalties]

error: Content is protected !!
Shopping Cart